LATEST PROJECTS

PR Department

A LOT OF PEOPLE CLAIM TO BE AT THE INTERSECTION
OF ART AND COMMERCE...
Hello. I am a blog called Menthol University Press. I produce films and
writings in association with Erik Stinson and company.

Twitter Is Not Chill

    follow me on Twitter

    2.28.2010

    future beach







    graylight in
    the clouds
    above the beach

    across the bay
    there moves
    a disturbance
    in a low hills
    like a razor
    blade from
    deep caves

    i'm drinking
    a beer and
    watching SF
    swell to the size
    of a warzone

    my friends are
    in the dull sand
    next to me.
    their tattoos
    seem funny,
    for once

    2.27.2010

    Response to Bobby

    1. I don’t mind. And I do think driving can be a strong metaphor. To “drive” is to be in control. Asking “would you like to drive?” can be comparable to asking “would you like to take control, and by taking control, accept responsibility?”.

    I have a few cautions about getting tattoos. Erik probably thinks I am against tattoos/unusual piercings/dreadlocks because I’m a square/poweruser/prosumer. I’m not intrinsically against body modification, and I think it has value because of its permanence. Here are a few things I would suggest you think about:

    I. Practically speaking, how will the tattoo effect your employability? The inside of the wrist is a fairly visible location for a tattoo; if you get it on your left wrist you could cover it with a watch, but if it is high on your right wrist it might be visible to anyone you shake hands with, and shaking hands will occur at every interview you have. I chose to place my branding in a location that I can cover simply by wearing long pants; I think that most employers would look unfavorably upon the branding, and that most would look unfavorably upon your tattoo. For you, this is more of an issue than for me, since you might end up making your living doing modeling. Yeah, they can always Photoshop it out if they don’t like it, but then again, they can always hire someone else and save themselves the trouble. I would consult with your agent.

    II. Like it or not, people will notice your tattoo and ask you questions about it. In some ways this is nice; it can be a good way to meet people. Often, if person X wants to meet person Y, person X will think of something he can say to person Y as an icebreaker. “Where did you get that?” or “what does that mean?” or “I’m thinking of getting a tattoo; did it hurt?” can be good openers. You will give the women who want your hot bod an easy excuse to start a conversation with you. I get comments on my branding from time to time. One of the most common is “What frat are you in?”, since Greek letters and brandings are both associated with fraternities. You should think about what you will say when people ask about your tattoo, because it WILL happen forever after. If you get a steering wheel, someday someone will ask you if you are a racecar driver. I guarantee it.

    III. Who are you getting the tattoo for? If it is for yourself, as a sort of reminder, then you might want to get it in a less visible location so it can be “yours” primarily. Tattoos in visible locations are usually seen as making some sort of statement. I liked Helen’s tattoo (on the back of her neck, normally covered by her hair) because it was something that was “hers” primarily, and became “mine” in a sense because she showed it to me. If you get a tattoo on your wrist it will be more of a “statement” than a “secret” you can share with those you choose.

    IV. Obviously, tattoos are meant to be permanent. Since you a bit of a connoisseur of different psychological states, I would recommend you be especially sure about the tattoo before getting it.

    V. A steering-wheel is a very concrete image. Personally, I like more abstract designs. I could have branded myself with the word “change”, or the letter “C”, or so-on. Instead I chose the Greek letter delta because it has been used to indicate change for centuries, and has been used in calculus notation since Newton. It is possible that you and I will live to see steering wheels disappear, and to see cars controlled by other means, or become self-driven, or so-on. Suppose that your father, when he was your age, had decided he wanted a tattoo to represent his love of music. A record-player might have seemed like a good choice, but nowadays there are people who have never seen a record-player. Another nice thing about getting something abstract is that you can tell different stories about it. My delta branding means something a bit different to me today than it did the day I branded myself. An abstract design gives you the freedom to re-interpret your tattoo and tell different stories about it to the many people who will ask you about it.

    2. The mind is a damn funny thing.

    3. I find it interesting that we both have anxiety issues but that in your case they have not led to an interest in traveling. I am travel-obsessed; every time I move, I feel like I am escaping some part of my past and hope to have a good life wherever it is I end up moving. Then, in a few months, things turn shitty, I get restless again, I move somewhere else, and the cycle repeats. I got restless at Overlake, felt like I was escaping to Stanford, got restless at Stanford, felt like I was escaping to Ely, got restless in Ely, felt like I was escaping to the UW, got restless in Queen Anne, felt like I was escaping to Thousand Oaks (where Amgen is), got restless in Thousand Oaks, felt like I was escaping to Stanford again. Now I’m restless, and in a month I’ll graduate and escape again. Job to job, rented room to rented room, university to university, it’s all escape for me, and all perfectly futile. At least I’ve learned to travel light.

    4/5. Good luck man. I think your involvement in modeling is similar to my involvement in writing and photography. You’re not counting on making your living as a model, and I’m not counting on making mine as an artist, but they are nice options to have. You’re somewhat further along in that you’ve actually gotten paid for modeling; it’s more than a hobby, less than a job. So far, my writing and photography are merely hobbies.

    -Peas out

    2.20.2010

    “Involuntary Portraiture X” a.k.a. “Street Brotography” a.k.a. “One Of These Photographs Will Make Bobby Mad”

    Sometimes you have Feelings. Like when you're in the restroom and you see some guy at the paper towel dispenser, cranking it, cranking it, gathering up wads and wads of paper towels, more than he could ever need to dry his hands- cranking it, cranking it, like some mad addict pulling a slot machine handle, cranking it, cranking it, grabbing bunch after bunch. All you can say to him is: Good luck.

    I mean, we've all been there.

    On Wednesday I had a Feeling. Downstairs there were vines growing along cables and they didn't look so good but inside the Room she turned the lights on and I suddenly had a Feeling. All I could say to myself was: This is where my tuition is going.

    I took out a Nikon D90 with an 18-105mm lens. I had her switch it out for an 18-200mm. I didn't want to change it myself. She wanted me to hold onto the lens because it went with the camera, but I didn't want to be hauling around five thousand dollars worth of glass.

    200 millimeters. Aspherical. Ultraviolet filter. It's a beautiful thing.

    My art teacher is quite partial to “street photography”, which essentially involves taking candid photographs of strangers in public places. I do not like the term “street photography” because I think it is inaccurate: many “street photographs” are taken in public places other than streets and sidewalks, and not all streets are indeed public property (those of Stanford are not, for instance). Also, “street photography” might suggest the literal photographing of streets, and I'm just the sort of man who might take that suggestion. In addition, the word “photography” is extremely poorly defined.

    I prefer the term “involuntary portraiture”, which is fairly self-explanatory.

    Today, February 20th, I walked through downtown San Jose with the D90 fitted with a telephoto lens (a lens whose focal point is outside the physical optics). I had a tripod, quite handy for shooting at anything past 75mm. or so. Additionally, it was cloudy, and that certainly makes tripods useful.

    I shot about 250 photographs, mainly of people. Here are some selections; I am processing the rest. The original images are about 70 megabytes each, so this is something of a tedious process.

    +++
    Okay, Bobby, let's get it over with. Believe it or not, I shot this at just 42mm. and was on a tripod. I chose to photograph this woman because of her hairnet. Also, it was overcast in San Jose, and since I was shooting at a low filmspeed (1/30 sec), I was having trouble with people moving during my exposures. Because she was leaning up against a large object, I figured she would be stabilized and less likely to blur the exposure. She had her back turned to me and I set up my tripod, camera, etc. I then wanted her to face me, so I made a clicking sound with my tongue in the hopes that she would hear and turn but the bro would not. It worked. She stared at me stunned for about a second and I got the shot.

    P.S. I'm getting really good at rapid setup and breakdown of my tripod.
    P.S.S. People, like dogs, will turn to face you when you make a clicking sound.
    P.S.S.S. Actually, it works better with people than dogs. Much better with people than cats.
    P.S.S.S.S. I could outrun that bro even while carrying a tripod.
    +++
    This young woman was crossing the street when some unknown person walked up to her and literally poked her in the face (I have a shot of the poke, but it is blurry). The young woman was not at all bothered by this.

    +++
    This bro could be a model. He's becoming famous the instant I hit "publish post".

    +++
    This bro was blazing a cig and did not want his photograph taken.

    +++
    I noticed a group of four persons speaking French outside the San Jose Convention Center. I started talking with them and learned that they were from Quebec. One of them (the young man on the right in the image below) was extremely keen on my taking photographs of them. Strangely, he did not seem at all interested in receiving copies. I ended up taking the bussiness card of one of the others, and have since sent copies to him.

    +++
    This is a second shot of the Quebec group.

    +++
    This is a third shot of the Quebec group.


    +++
    See you in the streets with my two hundred millimeter.

    Peas out.

    2.18.2010

    "Baby Shoes" from Got Me Wrong by Kevin Akstin (who writes hard-ass shit)

    After a long while, a sound – at the first moment of consciousness, a scuffling along the side of the house. I hadn’t heard it begin; it was as if it had been there before I was. Abruptly, I was aware of the dark room, the heavy comforter, my own drowsy breathing. I leaned forward in bed, head cocked toward the sound, and with the passing seconds it fell into a loose percussive rhythm, each rustle, each thump keeping time. In its harsh insistence it seemed to eat slowly at the walls.

    My first thought was of a raccoon scavenging in the trash, but after a few moments I decided that the intervals of movement were far too deliberate. Even a bum, I realized, throwing off the comforter and standing up, wouldn’t have taken such care digging for a meal. They want something I thought, and in an instant my legs buckled toward the bed. I was the type who cut up credit cards and burned bank statements in the fireplace; and yet, here was someone combing my garbage can for evidence. I searched my mind for anything incriminating I could have overlooked, but in coming up empty I only grew more anxious. If I was guilty of nothing, I thought, then I could be accused of anything.

    The sound ceased, as if it were a machine shutting off. I waited, leaning against the bed, but there was nothing afterward. He’d found what he wanted, or he’d given up; either way there was nothing to be done about it. But even so, I was curious to see what kind of mark he’d left.

    Regaining a steady footing, I walked out into the hallway, pausing just before the living room. Something had made me stop: not a noise, for the house rang with silence, but the lack of one. No footsteps; my face tingled as I became aware. In the corner of my mind I could see him out there, a motionless shape waiting as if for a command. The distance to the front door seemed all of a sudden too small.

    I listened again, and as if the command had been given, a soft receding sound came from outside. For some time after it had stopped I stood in the hallway, breathing hard in the weighted air, watching the indistinct forms of the furniture. I still had the urge to look at the evidence of the intruder, but somehow, going through the kitchen to the side door required too much courage. Finally I headed for the front door, not bothering to turn on the lights, and not really knowing what I had in mind; only certain that there was something out there for me to see.

    I stepped outside, shut the door behind me, and for a moment I thought I was looking out into blank darkness. Even the neighboring houses were only visible by the sharpness of their corners. But after staring ahead for what must have been minutes, a little part of that blankness resolved itself into a shape standing in front of my lawn, almost directly across from me. I couldn’t make out any feature of it, except that it was the size of a man, and seemed to be answering my gaze. Both of us stayed where we were, as if neither of us wanted to turn his back to the other.

    It was hardly visible in the dark, but I was sure I saw him raise his hand. With that small gesture, so loaded with ambiguity, I snapped into a state of fear once again. I wanted to scurry into the house, turn on every light; yet I was compelled to keep him in front of me. So I remained there, immobile on the front step, and somehow I could tell he was grinning.

    ***

    I was walking along some street I didn’t recognize, hedged on both sides by anonymous industrial buildings. Every one looked abandoned – the dusty windows, some cracked or missing jagged round pieces, sat uncomprehending. A streetlight above me blinked off and on in fits. All around was a bottomless silence, unbroken by any distant motor. I couldn’t even remember what part of town I was in, had only the vaguest sense that I knew the town at all.

    As I approached an intersection, the rows of factories and machine shops stretching on, I noticed a murky blue light cast on the sidewalk in front of me. It had some of the quality of neon, but more subdued, soft and grainy like glowing smoke. I came closer, and saw that it was pouring from a low building planted on the corner. Smiling, I wondered how much time I had before last call; the lack of music made me think it was too late already.

    I reached the entrance, and now I could hear faint piano notes drifting out of the place, along with the sound of a single voice. I looked in, saw a man sitting hunched at the bar, the bartender leaning toward him as if to listen, both of them pigmented by the blue light that spilled out into the street.

    “I know it’s a terrible thing to say, but I knew all along what was gonna happen,” the man at the bar was saying as I entered and sat on a stool. “That’s all it was, really, just self-delusion. I made myself believe that I loved her.” He shook his head. “I never loved anybody in my life – not her, and not the baby either. Goddamned kid kept me up all night, every night, just this horrible screaming mouth I couldn’t have given a shit about.”

    The bartender glanced at me with a bemused expression, as if to ask, Am I really hearing this? He was around thirty-five, ordinary-looking, dressed in a black button-up shirt, dark hair slicked back stiffly. The way the light shadowed him gave him a secretive look.

    “So I left,” the other man concluded, putting down his empty glass as punctuation. “And you know what? I didn’t feel a thing.”

    As uneasy as he made me feel, I decided to join him in the confessional. “I didn’t feel anything when my wife divorced me, either.”

    “You, too? What’s with the two of us, then?”

    “I don’t know…” I looked up at the wall behind the bar; seeing that it was a solid row of mirrors, I dropped my eyes back down. “It’s like we were born without the right components.”

    “Or with the wrong ones,” he said, nodding cryptically, and now I really looked at him: his face had an odd concave look, as if the cheekbones had fallen in, and his broad nose was bridged across by a small scar. Even in the dim unnatural light I could see that his complexion was sallow and unhealthy.

    “You guys really have a guilty conscience tonight, don’t you?” said the bartender, sighing as if he’d heard enough. “Think I might be able to help you with that?”

    “Sure,” I said. “Get me a double whiskey, straight-up.”

    “What brand?”

    “Whatever’s cheapest, I guess…”

    “And you?” He looked at the other man.

    “I’ll have the same.”

    We stayed silent while the bartender poured our drinks. After taking his first sip, and tasting it loudly, the man said, “I’m so fuckin’ tired right now.”

    “Well, the whiskey’s not gonna help that,” I offered.

    He grinned, and for some reason it frightened me. “Of course not. Shit… I’ve been thinkin’ I should call my buddy who sells Dexedrine – you know, speed. A couple of those little bastards’ll keep you up all night.”

    “I wouldn’t know. I’m not into drugs.”

    “Alcohol’s a drug, too.” He tapped the rim of his glass. “And you know what? I read that it’s more linked to violence than any other drug.”

    “Really?” I’d started taking bigger sips, closer together.
    “Yeah. In fact, they say half of all murders are committed under the influence.” His eyes took on an awful sheen as he said this. For the first time I noticed the palms of his hands, laid out on the bar, the white flesh bruised as if from gripping too hard.
    I downed the rest of my whiskey and placed a five-dollar bill under the glass. “Nice talkin’ to you,” I said, and he gave me a kind of salute, raising two fingers to his temple.

    I backed out of the bar, never turning away from him, and as the distance between us increased he seemed to dissolve into darkness.

    ***

    A low sound, a scuffling; it was as if it had begun inside my mind and spread outward. I could hear it along the side of the house now, someone, or some animal, digging through the trash. Immediately I was out of bed, listening at the window. When the sound had persisted for a minute or two, I went out of the bedroom and down the hall, turning on the light as I walked into the kitchen; then I hesitated, standing by the side door, listening.

    It was no raccoon, I decided – he was moving too cautiously, searching for something specific. And a random prowler would have been chased off by the light – this guy wanted me to confront him. Taking a slow breath, shivering a little, I went to the sink, opened the drawer underneath it, and took out a heavy flashlight. Holding it like a nightstick, I crept toward the door and put my hand on the knob.

    The sound had stopped by now, but I could feel him out there, expecting me. I turned the knob, holding my breath. Yanking the door open, I stepped outside with the flashlight raised.

    “No need for that,” a voice said a few feet to my left.

    I switched on the flashlight and pointed it in his face. “What the fuck are you doin’ here? Who are you?”

    He’d put up one hand to cover his eyes, the other trailing off into the shadows. Between his hand and the harsh wash of the flashlight, his entire face was obscured.
    “What’s in your other hand?” I demanded, raising the flashlight again.
    “Just these.” I could see now in the pale light from the kitchen. For an instant I thought he was holding a piece of string out in front of him; then I saw the shoes that dangled from his hand by the laces, sized as if for a doll – baby shoes, I realized, and I shrank away from him, shivering.

    “Don’t you remember ‘em?” he asked. “They’re yours – I found ‘em at the bottom of your trash.”

    A trace of recognition crept to the surface, and for an instant I remembered pressing my hand into a brittle softness, holding something down as if afraid it would escape. As the sensation faded I felt my breath again, quick and struggling. “No, I don’t remember,” I insisted.

    I still couldn’t make out his face – it seemed to blur in the darkness, the features melting into one pale mass. He stood in place, holding out the shoes as if offering them to me. “Well, if you don’t want ‘em, I guess I’ll take ‘em.”

    He walked past me, opening the gate and shutting it behind him; by the time he was ten feet past it he was no longer visible.

    “It’s the baby.”

    A dull smoky light snapped on beside me. I took a breath, the first I’d been conscious of in a long time, and turned my head toward the voice. She was standing over the bed, face creased with worry, and at the sight of her I felt dreadfully exposed.

    “What’s wrong with him?” Some instinctive part of me pleaded with her to go away.

    “I don’t know. I haven’t heard him cry all night.”

    She reached out and pulled me to my feet, and I followed her across the hall into the other bedroom. For a moment I thought the room was bare, as there was no furniture, no carpeting, visible in the darkness. But in time my eyes grew accustomed to the feeble moonlight that crept through the window, and I made out the shape of a crib, the shadow of the bars slanting across the wall in a warped arc. I looked back at her, but the empty expression on her face made me turn away.

    “What is this?” I stared at the crib, hands quivering.

    “You should know by now.” The softness of her voice made me fear her; I could feel her behind me, standing in judgement.

    I stepped forward and peered over the rim of the crib: it was empty, but the bedding was pressed down, as if it had been slept on. The moonlight pooled in a deep depression near the head. I should have felt something then, I knew, should have summoned some small token of remorse. I trembled in anger at her, she who’d put these accusations in front of me. But all I could do was stare at the shallow trench, pushing back remembered figments: the pressure, the terrible bruising pressure of my hands.

    All at once the rage overtook me. “You think you can trick me? You know goddamned well we never had a baby…”

    I turned, ready to accuse her in kind, but she was gone. The house was truly silent now, the kind of echoing absence that takes years to accumulate. Leaning into the crib, I traced my fingers over the furrow in the soft bedding, stopping when I reached the round space that seemed so much deeper than the rest of it. I felt the beginnings of something in my chest, a primitive stirring for which I had no words.

    Throat aching, I went into the bathroom, and without turning on the light I opened the cupboard under the sink. I withdrew the bottle of whiskey from its hiding place, behind bottles of shampoo and cleaning fluid, and set it on the counter. Keeping my gaze away from the mirror, I unscrewed the cap and took a swig. Satisfied, I closed my eyes and leaned forward, trying once again to rid myself of memories. She was three states away now, I reminded myself, and there was nothing she could do.

    Somewhere in that slow drifting, before my senses were aware of it, I felt a presence next to me. I turned, eyes open, and saw a man in a black winter jacket, his face angular and hollow in the moonlight.

    “Where have you been?” I asked.

    “I turned myself in at the station.”

    “For what?”

    “Infanticide.”

    A blinding wave of cold broke over me. “Then how are you still here?

    “They wouldn’t believe me – they threw me out.” He grinned. “But they’re very interested in talking to you.”

    “You’re a fuckin’ lunatic.”

    “So what does that make you, then?”

    I was filled with such a swelling of terror and rage that I wanted to strangle him; I stared at him with burning eyes, warning him to back down. “What the fuck? Why don’t you leave me alone?”

    “I would if I could,” he said, grinning again, and then I felt like weeping.

    I stood in front of the lawn, watching the house. I could feel the frigid night air behind me, pressing on my back like a pair of hands; it all seemed to flow toward the front door. No lights were on, in the house or out front, and I began to think that there was no one home; it was a disappointment I couldn’t understand, for I had no memory of coming here. But after several moments I heard the foundation creak, and I knew that someone was moving inside, walking heavily as if half-asleep. I wondered if he could feel me out here, a firm and immobile shape, waiting without knowing what I was waiting for.

    The door opened, and a man in a white tee shirt and black sweatpants walked out onto the front step and stared. He had a sharp pale face, strangely sunken in, and he looked as if he’d been ill for years. He kept his eyes in my direction, without seeming to see me. It was like a two-way mirror – I grinned at the thought.
    After a few minutes of watching him, in which he still hadn’t moved, I raised my hand in a half-salute, tapping my temple with two fingers.

    2.17.2010

    "Outage" (A Poghem)

    Seventeenth February.

    Bro isn’t looking where he’s going and hits

    an underground power cable in his

    Cessna 300 so when I wake up I

    just swallow a caffeine pill instead of

    coffee. Open

    the fridge throw my meat in

    my messenger bag to leave in the freezer at

    work in Feminist Studies. Get on

    my bike, past the groundfloor

    window of my Canadian drugdealer

    housemate and he loves his laptop he’s

    sitting in

    front of it, blinds down elbow on the desk chin

    on his hand looking glum at the

    screen all

    dark.

    Lights all out on El Camino the ride

    to campus is easy I’m early for

    work.Stanford has

    power.


    2.15.2010

    Feedback on Erik's brand pamphlet

    This is too long to be accepted as a comment. Therefore, I am posting it as a full blog entry

    I realize that I’m probably “not the intended audience” for this because my idea of being a “patron of the arts” is limited to over-tipping bartenders and buying used Bob Dylan CDs. However, since I’m “70% asshole”, I think I have some comments that may be helpful to someone trying to break into the Advertising world. Also, I edit grants and such at work.
    +++
    Page 1 (“Logo”):
    -Line 4: No comma after “suggests”.
    -Lines 5=>6: Replace “hedonistic things” with “hedonism”, or find some noun besides “things”. Perhaps “hedonistic activities”?
    -Line 18: No comma after “visible”.
    -Last two paragraphs: Switch the clause order (“If the logo is on a color other than white, a white outline must be used…”
    -Line 22: Replace “+” with “and”.
    +++
    Page 2 (“Ideology”)
    -First paragraph: Clarify “connected by geography and the Internet”. What does “connected by geography” mean? I assume it means “living and working in the same physical community”. If so, find a clearer way to say this.
    -Line 9: Replace “various people” with “its contributors” or “its associates” or “its consumers and promoters” or similar. Avoid vagueness.
    -Line 10: Replace “it’s” with “its”. Remember, “It’s” means “it is” or "it has", Mr. English Major.
    -Second paragraph: One can “search for meaning” or conclude that “the world has no meaning”, but one cannot search for “lack of meaning”. Change the first sentence to “Menthol’s branding reflects its examination of existential questions in the contemporary world and in the context of the Internet”. It is understood that existential questions relate to meaning or lack thereof. Avoid redundancy.
    -Line 16: Replace “unstoppable” with “inescapable” or similar. Voids are not generally recognized as “active” entities. What is a void “doing” that cannot be stopped?
    -Line 18: A comma is needed after “satanic”.
    -Third paragraph: Replace “should not get in the way of” with “will not interfere with” or “must not interfere with” or “does not interfere with” or similar. Avoid words like “should”.
    -Line 28: Be consistent with italicization and capitalization of “menthol” when referring to the brand.
    +++
    Page 3 (“Color”):
    -Line 1: Remove “for the most part”. This is implied by the qualification in Line 2. If you want to make a bold statement, make it.
    -Line 5: Replace “like” with “such as”. Also, perhaps you should change the sentence on Lines 3=>6 to reference “color-coding of links” instead of “clicked links”, which sounds awkward.
    -Line 7: Delete “either”, since no “or” comes later in this sentence. Also, consider deleting “very”, since you essentially describe the degree of basicness anyway.
    -Line 11: Delete the comma after “self-referential”.
    -Second paragraph: Rewrite this. The phrase “from a color standpoint, speak for themselves” is confusing. Consider saying something along the lines of “Menthol U.P.’s objective is to disseminate original text and film. As these media rely upon black and white, the use of color should be limited…”. Also, “stand-point” is not hyphenated; it is a single word.
    -Line 36: You misspelled “ambiguity”. Also, avoid using slashes to indicate “or”.
    +++
    Page 4 (“Font”):
    -Line 1: Delete “both”. You cannot use this word when listing three things.
    -Line 4: You misspelled “company”.
    -Fourth paragraph: Be consistent in using commas and the word “or”. Never use “or” more than once in a single list. Never say “A or B, C, or D, E, or F”. Say “A, B, C, D, E, or F”. Also, you may want to find some way to set apart the names of these fonts.
    -Lines 12=>14: Change this sentence to “In both online and printed media, readability and minimalism are of paramount importance”. At the very least, change “is” to “are” on Line 13.
    -Line 15: Replace “and” with “a”. Also, strengthen this sentence. Never say “probably find funny or at least recognizable”. Say “will recognize and find funny”. Be like a candidate running for office: no politician says “if I become president”; everyone says “when I become president”.
    -Lines 20=>21: Replace “it is completely OK to substitute for” with “it is acceptable to substitute”. You do not need the word “for”.
    -Sixth Paragraph: Replace the first sentence with “Text size should be adjusted to meet the needs of publication” or “Text should be sized as appropriate for the context of the publication” or similar.
    +++
    Page 5 (“Design Sample”):
    -Line 2: Replace “possibly” with “arguably”.
    -Line 3: Replace “anti-religions” with “anti-religious”.
    -Line 5: You can’t use “both” when making a list of three things, Erik. Come on. Just delete the word.
    -Line 6: You misspelled “amateur” as “armature”.
    -Line 7: If you have a comma after “to”, then you need a comma after “headline”. You can have commas in both places or neither place, but you cannot just have a comma after “to”.
    -Line 10: Replace “typical young people” with something more specific. Perhaps something along the lines of “existentially fucked post-collegiates”.
    -Line 21: Delete “will probably”. Be assertive and confident.
    -Line 27: Delete “all”.
    +++
    Peas out.

    At work I get paid $16/hour to do almost exactly this sort of editing, except I’m less abusive and deal more with footnotes and charts.

    vidi this

    2.14.2010

    Bobby-Style Update (Valentine’s Day 2010)

    1. Improvement In Housemate Interactions
    2. New Photographic Equipment (new to me, at least)
    3. Dispensing Advice To Younger People And Other Irresponsible Activities
    4. A Puzzle

    +++

    1.
    My housing situation in Palo Alto is similar to my housing situation in Seattle:

    -I live in a cheap room.
    -I live in a shitty room.
    -My housemates are sketchy.
    -My place is inconveniently far from the college I am attending.
    -I live in a generally safe neighborhood.

    About three weeks ago, someone new moved in to the room adjacent to mine. If you are older than I am and living in a room that costs $595/month, chances are that you’re sketchier than me. My new housemate, whose name I do not know, is about thirty-five and certainly fits the bill. When he moved in, he told me that he was a Canadian citizen (which I half-believe). In response to my asking him what he did for a living, he said “write business letters” (which I don’t believe). He also told me that he was moving in because he was homeless, and insinuated that, in addition to lacking authorization to work in the US, he lacks authorization to be in the US. When I go walking at night, I sometimes see him muttering with strangers on the streets near our place. Both parties always look quite suspicious when I notice them, which makes me suspect that my new roommate is a drug dealer.

    This gentleman speaks English very poorly; his native language is Chinese. On one occasion, when I was cooking pasta, he walked out of his room and started talking to me about Stanford. He asked me if my student ID allowed me access to all of Stanford’s libraries. I told him that it did. He asked me if I used it every day. I told him that I didn’t, but that if he thought I would loan it to him, he was sadly mistaken. He went back into his room after that, but on several occasions he has asked again to borrow my ID. Obviously I do not intend to loan it to him, since I suspect that he might steal electronics or other valuables from Stanford’s libraries, and since loaning my ID to him would allow him to run up any number of debts in my name. Of course, when one signs up to receive a Stanford ID, one signs paperwork stating that one will not allow any other person to use the ID, and that one will promptly report any loss or theft of the card.

    Last Wednesday, he was again bothering me about wanting to borrow my ID. He told me that “if you don’t let me use your card, then I will have to meet some Stanford student in my church”. Although I love the Pope, I was hardly convinced. He kept bothering me until I became very upset. When I started shouting at him and using abusive language, he tried to apologize by saying that he “didn’t speak English” very well. I said the following rather loudly:

    “You know what the first thing you should learn when you learn English is? You know what, motherfucker? The first thing you should learn is, you don’t fuck with blue-eyed Mexicans. Then, the conjugations of the verb ‘to be’…”.

    By this time he was retreating inside his room. He now avoids me whenever possible, and if I am cooking, he will open his door a crack, see me, and then shut and lock his door. This is a great development because he no longer bothers me, and it also makes for “lulz” because, due to my erratic schedule and his never leaving the apartment except to deal drugs, I often surprise him by (for example) entering the kitchen and frying an onion at 4:00 AM. I am a difficult person to find, but also a difficult person to avoid encountering.

    Today he spoke to me for the first time since the incident last Wednesday. He had bought a package of chicken wings and asked me (in broken English) if I knew how to cook it. He was having trouble reading the label, which gave the cooking instructions. I noticed that the chicken wings were supposed to be cooked to 165 Fahrenheit, which I told him. Unfortunately, since he is a Canadian drug dealer and I am a chemist, neither of us had any idea how hot 165 F was. I simply told him that 165 F was below the boiling point of water, and that, if he heated the chicken wings such that all parts reached the boiling point of water, he would be safe. He hid in his room after that, but I could hear him using the microwave after I went back into my room. Lol.

    +++

    2.
    I managed to borrow a Nikon D70 DSLR from Stanford. Although lower in resolution than my point-and-shoot (6.1 versus 8.0 X 10^6), the DSLR has a much larger sensor and gives less noisy images. It’s fitted with an 18-55 mm. lens. I prefer prime (i.e. fixed-focal-length) lenses. Most people who like prime lenses seem to like them because they give lower stops, but I like to shoot at f/8 or above anyway, and I usually have a tripod, so those aren’t really concerns for me. The way I see it is this: If I want to restrict depth-of-field, I’ll shoot deep-field and then blur whatever I want to in Photoshop. For me, prime lenses are more desirable simply because they give better optical performance. I suspect part of the reason that Stanford doesn’t stock prime lenses is that they don’t want people changing lenses. I did a bit of street photography and found myself in fact glad to have a zoom lens. A telephoto might even be good, since most of the problems associated with telephoto lenses can be eliminated with a tripod, and I carry one with me whenever I have my camera. My best shot so far is a sixty-year-old woman wearing trendy sunglasses, the plastic kind with the brightly-colored rims that were popular when we were young, “innocent”, and even stupider.

    +++

    3.
    Went to the San Francisco Museum of Modern Art (MOMA) with someone from one of my classes.

    We had planned to meet at 1:00 PM at a certain location on campus. He was ten minutes late and didn’t call me, nor did he run towards my car when he saw me. This made me very upset, which I veiled somewhat. He never apologized, nor did he offer to chip in on parking ($19) when we got to San Francisco.

    The museum was full of art and French people. Some of the art was decent. I saw some photographs by Diane Arbus and the F/64 club and felt briefly “historically connected” or “arrogant and superior”, which are the same. After two and a half hours I became bored, which is also the same. He had become bored much earlier, and spent the last hour at the Museum passed out over a table in the café on the first floor. He explained that he was extremely hungover from the previous night. I felt very grateful that he had not vomited in my car.

    He’s a Junior, and asked me for advice on various topics. I lectured him on the importance of dental/car insurance and the benefits of selling out in matters of employment/relationships. He asked me if there were any long-term negative effects “from binge-drinking for four years- like, maybe blacking out every two weekends”. He seemed extremely surprised when I told him there were. We’ve never drank together, and when I told him I drank, he asked me if I had “ever done anything else”.

    We chatted about the miseries of our lives and then he fell asleep so I put on some Miley Cyrus. Her music was still playing when he woke up but I don’t think he judged me. Unlike me, he is very self-confident, and explained that he didn’t drink at frat parties to boost his confidence, but rather so he would feel okay about sleeping with women whom he wouldn’t be able to stand when sober. I told him to try drinking less and less while lowering his standards more and move, since selling out while sober is a valuable skill, one that develops with practice. It's simply unsustainable to think you can drink every time you'll need to lower your standards.

    +++

    4.
    This is a word-puzzle after Stinson’s style. I may not understand Twitter but I know how to use a pen and paper and scanner. A hint has been posted.
    Peas out.

    P.S. Erik, I will read and comment on your stuff.

    +++

    please review and comment






    2.11.2010

    Love Poem

    Love Poem

    Friday night darling I get off work and
    I want to come to your place and
    Do your dishes and
    When I say I want to
    Do your dishes I really mean

    I want to
    Take my time and use
    Plenty of soap if
    You know what I mean and
    get the grease off if
    You know what I mean and
    Then wash the soap off until they sparkle if
    You know what I mean and
    Dry them off nice with
    A lint-free cloth and
    Put them up in your
    Cupboard if
    You know what I mean
    Darling.

    Like Digital Underground says
    I guess I’m just a freak.

    2.10.2010

    Two Short "Pogh-Ems"

    “Twentyfourhour Library”


    I hear a sound like I make when

    I am about to throw up but

    I turn and she is fine, she is

    Excited to see her friend, that’s

    All.


    +++

    “I Am Not A Gourmet When It Comes To Music Either”


    I hear drums and something that might be

    A saxophone or something brass and

    I’m looking forward

    To turning the corner and finding the Stanford band and thinking

    The band has gotten better every year I’ve been here but

    I turn and it is just men working

    On the roof of a new building

    Nailgun drums

    Tablesaw brass

    Blog Archive